Forman employs his highest level of craftsmanship in portraying the inner life of the greatest artist through his arch-enemy's eyes; Amadeus reminds us how films can be serious and playful, decorous and vulgar, nuanced and wild all at once. (director's cut)
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看得很辛苦但看完还是很有触动费里尼完全放纵自己游走在梦境与现实中不受拘束也不作诳语场景的切换、镜头的调度、情节的驱动都附庸于意识的流动这意识来自敏感脆弱的自我被幻想折磨在痛苦与无聊之间转动欲望的指针而作品总需要终结“摧毁总好过制造不必要的事物”| 20200726 SIFF重看*大光明费里尼把神圣的爱与低俗的欲望、外部的评价与内心的表达、最重要是艺术创造与生活伦理的张力全都调和在一起在“导演”的视角中在记忆与想象的交错中“这世界多余的东西已经太多”但假象的终结不是虚无而是推倒重来挽起裙子迈开腿坐下去的图片高清是破壳而出的真挽起裙子迈开腿坐下去的图片高清是召唤全部印象来造型life is a celebration堪称费里尼的人类补完计划5年前没看懂的部分在大光明的穹顶下沉浮、沸腾、庆典让影院成为它所是
aha烧报纸倒放的点子真不戳 Dignity, always dignity. Look at me, I got no glory, I got no fame, I got no big mansions. I got no money. But I've got... What have I got? I don't know. What have you got? I gotta get out of here. The show must going on.